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TITLE(K) ¿ìÁÖ¿¡¼­ÀÇ Ãã@°¡ÀåÀÚ¸®@º£ÀÌ¡
TITLE(E) Dancescape@margin@Beijing
DIRECTOR À§´Ï Ǫ, ¸® ÇÑÁîÈ«, ¸¶º¸ Winnie Fu, Li Hanzhong and Ma Bo
ADDITION È«Äá | 2003 | 9'27" | DV | color
CATEGORY ÀÛ°¡±âȹÀü »ó¿µ 2009
LINK
SYNOPSIS

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¼½¼Ç1: Day of HongKong 60min È«ÄáÀÇ ³¯ <È«ÄáÀÇ ½ÇÇ迵»ó>

 

³· ÀÍÀº µÎ ¸öÀÌ Àͼ÷ÇÑ µµ½ÃÀÇ Á¤°æ ¼Ó¿¡¼­ µ¹¾Æ´Ù´Ï°í ÀÖ´Ù. ÀÌ µÎ °³ÀÇ ¸öÀº ¿ì¸®µéÀÇ Àͼ÷ÇÑ ³ª³¯µéÀ» Ç¥ÇöÇÏ°í Àִ°¡ ¾Æ´Ï¸é ºñÁ¤»óÀûÀÎ ÀÏ»óµéÀ» ³ªÅ¸³»°í Àִ°¡? ÀλýÀº º¸Åë "µµÀü"À̶õ ´Ü¾î·Î Ç¥ÇöµÈ´Ù. ÇÏÁö¸¸ Çö½Ç¿¡¼­ÀÇ ÀλýÀº ¸Å¿ì ÇÇ°ïÇÒ »ÓÀÌ´Ù. ¿ì¸®´Â ¾ðÁ¦³ª ¶È°°Àº ÀÏÀ» ¹Ýº¹ÇÏ°í, ¶È°°Àº ÀÏÀ» °æÇèÇÏ°í, °ÇÃ๰°ú °ÇÃ๰µéÀÇ »çÀ̸¦ ¹«ÀÛÁ¤ µ¹¾Æ´Ù´Ò »ÓÀÌ´Ù. ¾ðÁ¦³ª °°Àº ÀÏ»óÀÌ ¹Ýº¹µÊ¿¡ µû¶ó ¿ì¸®ÀÇ ÁøÂ¥ ÀھƸ¦ ±ú´ÝÁö ¸øÇÏ°Ô µÇ°Å³ª Çٽɿ¡¼­ ¸Ö¾î³­, ¾ÆÁÖ »ç¼ÒÇÑ °Íµé¿¡¼­¸¸ ¿ì¸®ÀÇ ÀھƸ¦ ±ú´Ý°Ô µÇ±âµµ ÇÑ´Ù. ÀÌ ¿òÁ÷ÀÌ´Â µÎ ¸öÀº ¾Æ¹«µ¥µµ ¼ÓÇØÀÖÁö ¾Ê´Ù. ´ÜÁö ±×µé¿¡°Ô ¿­·ÁÀÖ´Â ¸ðµç °¡´É¼ºµéÀ» ¹Ù¶óº¸°í ÀÖÀ» »ÓÀÌ´Ù. ¸¸¾à Çà¿îÀÌ Çã¶ôÇÑ´Ù¸é, ±×µéÀº "È°¿ëÇÒ ¼ö ÀÖ´Â °ø°£"µéÀ» °¡ÀåÀÚ¸®¿¡¼­ âÁ¶ÇÏ°Ô µÉ ¼öµµ ÀÖ´Ù. ¾Æ´Ï¸é ºÒ²É Æ¢´Â ºÐÀïÀ» ÀÏÀ¸Å°´Â °á°ú¸¦ ¾ß±â½Ãų ¼ö µµ ÀÖ´Ù. ¸¶Ä¡ ´«¾Õ¿¡¼­ ¼¶±¤À» ÀÏÀ¸Å°¸ç ºü¸£°Ô ´Þ¸®´Â ÀÚÀü°Å󷳸»ÀÌ´Ù. º£ÀÌ¡Àº °íÇâÀΰ¡ ŸÇâÀΰ¡? ÇѶ§ ±×°÷Àº ¿ì¸®°¡ ²Þ²Ù´Â ·Î¸ÇƽÇÑ µµ½Ã¿´À¸¸ç »îÀÇ ÅÍÀüÀ̱⵵ Çß´Ù. Áï, ±âº»ÀûÀ¸·Î ¿ì¸®´Â µÎ °³ÀÇ ¼­·Î »ó¹ÝµÇ´Â ¼¼°è¿¡ ¼ÓÇØÀÖÁö¸¸ ±× ¼¼°è¿¡ ¼Ò¼ÓµÈ ¿ì¸®´Â ¿©ÀüÈ÷ °¡±õ´Ù.

 

Two familiar bodies wheeling through a familiar city. Capturing normal life or presenting an abnormal ride? Life is often seen as "challenging", but in effect, it is pretty "exhausting". You are mostly recycling happenings, reading recycled news stories and drifting through architectures. Being a recycled being, you do not recognise your real self anymore, or you can only recognise your real self at the marginal area – far from the core. The moving bodies do not belong there, they are simply looking for possible interactions. If luck permits, they might create some "workable space" at the margin, or create a spark or two – just like the fast-moving bicycles that flash in front of your eyes. Beijing – a homeland? a foreign city? It’sat once our romantic metropolis and their living space. We basically belong to two different worlds but still look familiar.

INFOMATION
¾²±â ¸ñ·Ï   ´ä±Û
NO TITLE(K) TITLE(E) DIRECTOR ADDITION
74
»¡°£ Å×ÀÙ
Red Tape - Collected Works
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1975 | 30' | Digi-Beta | color
73
õ»çÀÇ ¹®
Angels gate
ºô ºñ¿Ã¶ó ¹Ì±¹ |1989 | 4'50'' | Digi-Beta | Color
72
ºû°ú ¿­ÀÇ ÃÊ»ó
Chott el-Djerid (A Portrait in Light and Heat)
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1979 | 28' | Digi-beta | color
71
ÀÌÁÖ
Migration
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1976 | 7' | Digi-beta | color
70
¼º°¡
Anthem
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1983 | 11'30'' | Digi-beta | color
69
ù ¹ø° µå¸²
Hatsu Yume (First Dream)
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1981 | 56' | Digi-beta | color
68
´õ ÆнÌ
The Passing
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1991 | 54'13'' | Digi-beta
67
³ªµµ ³ª¸¦ ¸ô¶ó¿ä
I Do Not Know What It Is I Am Like
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1986 | 89' | Digi-beta | color
66
ħ¹¬Ç϶ó
silence
ÀÌÀ±Á¤ performance documentation/dance/media
65
Endless
Endless
ÀÌÀ±Á¤ Çѱ¹ | 3' | miniDV | color |drama
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