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TITLE(K) |
¿ìÁÖ¿¡¼ÀÇ Ãã@°¡ÀåÀÚ¸®@º£ÀÌ¡ |
TITLE(E) |
Dancescape@margin@Beijing |
DIRECTOR |
À§´Ï Ǫ, ¸® ÇÑÁîÈ«, ¸¶º¸ Winnie Fu, Li Hanzhong and Ma Bo |
ADDITION |
È«Äá | 2003 | 9'27" | DV | color |
CATEGORY |
ÀÛ°¡±âȹÀü
»ó¿µ
2009
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LINK |
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SYNOPSIS |
³×¸¶ÇÁ2009 »çÀü Ưº°±âȹ<³×¸¶ÇÁ! ¾Æ½Ã¾Æ ½ÇÅ©·Îµå Ưº°Àü>
¼½¼Ç1: Day of HongKong 60min È«ÄáÀÇ ³¯ <È«ÄáÀÇ ½ÇÇ迵»ó>
³· ÀÍÀº µÎ ¸öÀÌ Àͼ÷ÇÑ µµ½ÃÀÇ Á¤°æ ¼Ó¿¡¼ µ¹¾Æ´Ù´Ï°í ÀÖ´Ù. ÀÌ µÎ °³ÀÇ ¸öÀº ¿ì¸®µéÀÇ Àͼ÷ÇÑ ³ª³¯µéÀ» Ç¥ÇöÇÏ°í Àִ°¡ ¾Æ´Ï¸é ºñÁ¤»óÀûÀÎ ÀÏ»óµéÀ» ³ªÅ¸³»°í Àִ°¡? ÀλýÀº º¸Åë "µµÀü"À̶õ ´Ü¾î·Î Ç¥ÇöµÈ´Ù. ÇÏÁö¸¸ Çö½Ç¿¡¼ÀÇ ÀλýÀº ¸Å¿ì ÇÇ°ïÇÒ »ÓÀÌ´Ù. ¿ì¸®´Â ¾ðÁ¦³ª ¶È°°Àº ÀÏÀ» ¹Ýº¹ÇÏ°í, ¶È°°Àº ÀÏÀ» °æÇèÇÏ°í, °ÇÃ๰°ú °ÇÃ๰µéÀÇ »çÀ̸¦ ¹«ÀÛÁ¤ µ¹¾Æ´Ù´Ò »ÓÀÌ´Ù. ¾ðÁ¦³ª °°Àº ÀÏ»óÀÌ ¹Ýº¹µÊ¿¡ µû¶ó ¿ì¸®ÀÇ ÁøÂ¥ ÀھƸ¦ ±ú´ÝÁö ¸øÇÏ°Ô µÇ°Å³ª Çٽɿ¡¼ ¸Ö¾î³, ¾ÆÁÖ »ç¼ÒÇÑ °Íµé¿¡¼¸¸ ¿ì¸®ÀÇ ÀھƸ¦ ±ú´Ý°Ô µÇ±âµµ ÇÑ´Ù. ÀÌ ¿òÁ÷ÀÌ´Â µÎ ¸öÀº ¾Æ¹«µ¥µµ ¼ÓÇØÀÖÁö ¾Ê´Ù. ´ÜÁö ±×µé¿¡°Ô ¿·ÁÀÖ´Â ¸ðµç °¡´É¼ºµéÀ» ¹Ù¶óº¸°í ÀÖÀ» »ÓÀÌ´Ù. ¸¸¾à Çà¿îÀÌ Çã¶ôÇÑ´Ù¸é, ±×µéÀº "È°¿ëÇÒ ¼ö ÀÖ´Â °ø°£"µéÀ» °¡ÀåÀÚ¸®¿¡¼ âÁ¶ÇÏ°Ô µÉ ¼öµµ ÀÖ´Ù. ¾Æ´Ï¸é ºÒ²É Æ¢´Â ºÐÀïÀ» ÀÏÀ¸Å°´Â °á°ú¸¦ ¾ß±â½Ãų ¼ö µµ ÀÖ´Ù. ¸¶Ä¡ ´«¾Õ¿¡¼ ¼¶±¤À» ÀÏÀ¸Å°¸ç ºü¸£°Ô ´Þ¸®´Â ÀÚÀü°Å󷳸»ÀÌ´Ù. º£ÀÌ¡Àº °íÇâÀΰ¡ ŸÇâÀΰ¡? ÇѶ§ ±×°÷Àº ¿ì¸®°¡ ²Þ²Ù´Â ·Î¸ÇƽÇÑ µµ½Ã¿´À¸¸ç »îÀÇ ÅÍÀüÀ̱⵵ Çß´Ù. Áï, ±âº»ÀûÀ¸·Î ¿ì¸®´Â µÎ °³ÀÇ ¼·Î »ó¹ÝµÇ´Â ¼¼°è¿¡ ¼ÓÇØÀÖÁö¸¸ ±× ¼¼°è¿¡ ¼Ò¼ÓµÈ ¿ì¸®´Â ¿©ÀüÈ÷ °¡±õ´Ù.
Two familiar bodies wheeling through a familiar city. Capturing normal life or presenting an abnormal ride? Life is often seen as "challenging", but in effect, it is pretty "exhausting". You are mostly recycling happenings, reading recycled news stories and drifting through architectures. Being a recycled being, you do not recognise your real self anymore, or you can only recognise your real self at the marginal area – far from the core. The moving bodies do not belong there, they are simply looking for possible interactions. If luck permits, they might create some "workable space" at the margin, or create a spark or two – just like the fast-moving bicycles that flash in front of your eyes. Beijing – a homeland? a foreign city? It’sat once our romantic metropolis and their living space. We basically belong to two different worlds but still look familiar.
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INFOMATION |
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NO |
TITLE(K) |
TITLE(E) |
DIRECTOR |
ADDITION |
144 |
ÀÌ·± ½Î°¡Áö ¾ø´Â³ðÀÌ ÇÏ´Â ¼Ò¸®
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What this naughty boy has say
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Á¤ÁÖ¾Æ
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7min50sec¦¢2007¦¢Digi-beta¦¢¾Ö´Ï¸ÞÀ̼Ç
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143 |
Çã¶ôÇØÁÖ¼¼¿ä
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Please Permit
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±è´Ù¿î
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2005 | 6min30sec | DV | mixed | ±Ø¿µÈ
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142 |
È£Èí
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Respiration
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ÀÌÇѾÆ
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3min 30sec | 2006 | DV | color | ¾Ö´Ï¸ÞÀ̼Ç
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141 |
³Ê
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YOU
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Á¤ÀÚ¿µ
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2006³â 3 min color
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140 |
¿ìÁî ³ë ¸¶ÀÌ ³×ÀÓ
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Woods no my name
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°¿ø
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16ºÐ 52ÃÊ | 2008 | 6mm DV | ½ÇÇè±Ø¿µÈ
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139 |
º®È ¾Ö´Ï¸ÞÀÌ¼Ç ÇÁ·ÎÁ§Æ® #1, 2 (since 2005)
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½ÅÇöÁ¤
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color, 2D ¾Ö´Ï¸ÞÀ̼Ç
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138 |
The Fish
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The Fish
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¹Ú°æ¹Ì Park Kyung-mi
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3ºÐ 20ÃÊ, 2006, DV, color, ¾Ö´Ï¸ÞÀ̼Ç
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137 |
ÀáÀçÀû ½½ÇÄ
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Latent Sorrow
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±è½ÃÇå Shon Kim
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3ºÐ 30ÃÊ, 2006, 16mm, color, ½ÇÇè¾Ö´Ï¸ÞÀ̼Ç
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136 |
Â÷ÀÌ¿Í ¹Ýº¹1- ½ºÄ§°ú ¸¶ÁÖħ
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Difference and Repetition1 - Glance and Focus
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±è¿¬Á¤ YeonJeong Kim
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5ºÐ 30ÃÊ, 2007, DV, B&W, ½ÇÇ迵»ó
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135 |
¹«ºù Æijë¶ó¸¶
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Moving Panorama
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º¯Àç±Ô Byun Jae-kyu
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4ºÐ 11ÃÊ, 2005, DVD, color, ½ÇÇ迵»ó
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