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TITLE(K) |
¿ìÁÖ¿¡¼ÀÇ Ãã@°¡ÀåÀÚ¸®@º£ÀÌ¡ |
TITLE(E) |
Dancescape@margin@Beijing |
DIRECTOR |
À§´Ï Ǫ, ¸® ÇÑÁîÈ«, ¸¶º¸ Winnie Fu, Li Hanzhong and Ma Bo |
ADDITION |
È«Äá | 2003 | 9'27" | DV | color |
CATEGORY |
ÀÛ°¡±âȹÀü
»ó¿µ
2009
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LINK |
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SYNOPSIS |
³×¸¶ÇÁ2009 »çÀü Ưº°±âȹ<³×¸¶ÇÁ! ¾Æ½Ã¾Æ ½ÇÅ©·Îµå Ưº°Àü>
¼½¼Ç1: Day of HongKong 60min È«ÄáÀÇ ³¯ <È«ÄáÀÇ ½ÇÇ迵»ó>
³· ÀÍÀº µÎ ¸öÀÌ Àͼ÷ÇÑ µµ½ÃÀÇ Á¤°æ ¼Ó¿¡¼ µ¹¾Æ´Ù´Ï°í ÀÖ´Ù. ÀÌ µÎ °³ÀÇ ¸öÀº ¿ì¸®µéÀÇ Àͼ÷ÇÑ ³ª³¯µéÀ» Ç¥ÇöÇÏ°í Àִ°¡ ¾Æ´Ï¸é ºñÁ¤»óÀûÀÎ ÀÏ»óµéÀ» ³ªÅ¸³»°í Àִ°¡? ÀλýÀº º¸Åë "µµÀü"À̶õ ´Ü¾î·Î Ç¥ÇöµÈ´Ù. ÇÏÁö¸¸ Çö½Ç¿¡¼ÀÇ ÀλýÀº ¸Å¿ì ÇÇ°ïÇÒ »ÓÀÌ´Ù. ¿ì¸®´Â ¾ðÁ¦³ª ¶È°°Àº ÀÏÀ» ¹Ýº¹ÇÏ°í, ¶È°°Àº ÀÏÀ» °æÇèÇÏ°í, °ÇÃ๰°ú °ÇÃ๰µéÀÇ »çÀ̸¦ ¹«ÀÛÁ¤ µ¹¾Æ´Ù´Ò »ÓÀÌ´Ù. ¾ðÁ¦³ª °°Àº ÀÏ»óÀÌ ¹Ýº¹µÊ¿¡ µû¶ó ¿ì¸®ÀÇ ÁøÂ¥ ÀھƸ¦ ±ú´ÝÁö ¸øÇÏ°Ô µÇ°Å³ª Çٽɿ¡¼ ¸Ö¾î³, ¾ÆÁÖ »ç¼ÒÇÑ °Íµé¿¡¼¸¸ ¿ì¸®ÀÇ ÀھƸ¦ ±ú´Ý°Ô µÇ±âµµ ÇÑ´Ù. ÀÌ ¿òÁ÷ÀÌ´Â µÎ ¸öÀº ¾Æ¹«µ¥µµ ¼ÓÇØÀÖÁö ¾Ê´Ù. ´ÜÁö ±×µé¿¡°Ô ¿·ÁÀÖ´Â ¸ðµç °¡´É¼ºµéÀ» ¹Ù¶óº¸°í ÀÖÀ» »ÓÀÌ´Ù. ¸¸¾à Çà¿îÀÌ Çã¶ôÇÑ´Ù¸é, ±×µéÀº "È°¿ëÇÒ ¼ö ÀÖ´Â °ø°£"µéÀ» °¡ÀåÀÚ¸®¿¡¼ âÁ¶ÇÏ°Ô µÉ ¼öµµ ÀÖ´Ù. ¾Æ´Ï¸é ºÒ²É Æ¢´Â ºÐÀïÀ» ÀÏÀ¸Å°´Â °á°ú¸¦ ¾ß±â½Ãų ¼ö µµ ÀÖ´Ù. ¸¶Ä¡ ´«¾Õ¿¡¼ ¼¶±¤À» ÀÏÀ¸Å°¸ç ºü¸£°Ô ´Þ¸®´Â ÀÚÀü°Å󷳸»ÀÌ´Ù. º£ÀÌ¡Àº °íÇâÀΰ¡ ŸÇâÀΰ¡? ÇѶ§ ±×°÷Àº ¿ì¸®°¡ ²Þ²Ù´Â ·Î¸ÇƽÇÑ µµ½Ã¿´À¸¸ç »îÀÇ ÅÍÀüÀ̱⵵ Çß´Ù. Áï, ±âº»ÀûÀ¸·Î ¿ì¸®´Â µÎ °³ÀÇ ¼·Î »ó¹ÝµÇ´Â ¼¼°è¿¡ ¼ÓÇØÀÖÁö¸¸ ±× ¼¼°è¿¡ ¼Ò¼ÓµÈ ¿ì¸®´Â ¿©ÀüÈ÷ °¡±õ´Ù.
Two familiar bodies wheeling through a familiar city. Capturing normal life or presenting an abnormal ride? Life is often seen as "challenging", but in effect, it is pretty "exhausting". You are mostly recycling happenings, reading recycled news stories and drifting through architectures. Being a recycled being, you do not recognise your real self anymore, or you can only recognise your real self at the marginal area – far from the core. The moving bodies do not belong there, they are simply looking for possible interactions. If luck permits, they might create some "workable space" at the margin, or create a spark or two – just like the fast-moving bicycles that flash in front of your eyes. Beijing – a homeland? a foreign city? It’sat once our romantic metropolis and their living space. We basically belong to two different worlds but still look familiar.
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INFOMATION |
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NO |
TITLE(K) |
TITLE(E) |
DIRECTOR |
ADDITION |
114 |
µ¥µå¸Ç
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The Deadman
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Æä±â ¾ÆÈѽÃ/Peggy Ahwesh
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1990, 40 min, B/W, sound, 16mm film EAI (on video)
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113 |
Æ®¸¯Çʸ§
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Trick Film
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Æä±â ¾ÆÈѽÃ/Peggy Ahwesh
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1996, 16mm, color, sound, 6 min
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112 |
º° ¸Ô´Â À̵é
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The Star Eaters
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Æä±â ¾ÆÈѽÃ/Peggy Ahwesh
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2003, 24 min, color, sound, video
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111 |
±×³à, ÀÎÇü
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She Puppet
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Æä±â ¾ÆÈѽÃ/Peggy Ahwesh
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2001, 17 min, Video
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110 |
¸¶¸£Æ¼³ªÀÇ Ç÷¹ÀÌ ÇϿ콺
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Martinas Playhouse
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Æä±â ¾ÆÈѽÃ/Peggy Ahwesh
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1989, 20 min, color, sound, Super 8 film
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109 |
¾È³ç, Àß°¡
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Good Bye
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¿£½¼ ¸· Anson Mak
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È«Äá | 2006 |8' | Archival footage16mm, Super 8 film and DV | color
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108 |
°á°ú ±×ÀÇ ¸ö¿¡ °üÇÑ ±â¾ï¼Ó¿¡¼
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Aftermath in the memory of his body
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´Ù´Ï¿¤ ¿µ,³ë½º Âù,Å©¸®½ºÅäÆÛ ¶ó¿ìDaniel Yeung, Nose Chan and Christopher Lau
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È«Äá | 2004 |14' | DV | color
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107 |
Åé´Ï¹ÙÄûÀÇ µµ½Ã
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Gear City
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¸·½Ìdz¡¡Mak Shing Fung
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È«Äá | 2004 | 5' | color
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106 |
Â÷ ÇÑÀÜ
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A Cup of Tea
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¹«¾Æ¸®½º ¶óÀÌ, À¯¸® ¿£Áö Maurice Lai and Yuri Ng
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È«Äá | 2003 | 9'19" | DV | color
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105 |
³ ¿ì¸® ³ª¶óÀÇ ÇÏ´ÃÀ» »ç¶ûÇØ
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I Love my Country¡¯s Sky
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Èï° Hung Keung
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È«Äá | 1997 | 7' | U-matic Hi-band | color
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