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TITLE(K) ¿ìÁÖ¿¡¼­ÀÇ Ãã@°¡ÀåÀÚ¸®@º£ÀÌ¡
TITLE(E) Dancescape@margin@Beijing
DIRECTOR À§´Ï Ǫ, ¸® ÇÑÁîÈ«, ¸¶º¸ Winnie Fu, Li Hanzhong and Ma Bo
ADDITION È«Äá | 2003 | 9'27" | DV | color
CATEGORY ÀÛ°¡±âȹÀü »ó¿µ 2009
LINK
SYNOPSIS

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¼½¼Ç1: Day of HongKong 60min È«ÄáÀÇ ³¯ <È«ÄáÀÇ ½ÇÇ迵»ó>

 

³· ÀÍÀº µÎ ¸öÀÌ Àͼ÷ÇÑ µµ½ÃÀÇ Á¤°æ ¼Ó¿¡¼­ µ¹¾Æ´Ù´Ï°í ÀÖ´Ù. ÀÌ µÎ °³ÀÇ ¸öÀº ¿ì¸®µéÀÇ Àͼ÷ÇÑ ³ª³¯µéÀ» Ç¥ÇöÇÏ°í Àִ°¡ ¾Æ´Ï¸é ºñÁ¤»óÀûÀÎ ÀÏ»óµéÀ» ³ªÅ¸³»°í Àִ°¡? ÀλýÀº º¸Åë "µµÀü"À̶õ ´Ü¾î·Î Ç¥ÇöµÈ´Ù. ÇÏÁö¸¸ Çö½Ç¿¡¼­ÀÇ ÀλýÀº ¸Å¿ì ÇÇ°ïÇÒ »ÓÀÌ´Ù. ¿ì¸®´Â ¾ðÁ¦³ª ¶È°°Àº ÀÏÀ» ¹Ýº¹ÇÏ°í, ¶È°°Àº ÀÏÀ» °æÇèÇÏ°í, °ÇÃ๰°ú °ÇÃ๰µéÀÇ »çÀ̸¦ ¹«ÀÛÁ¤ µ¹¾Æ´Ù´Ò »ÓÀÌ´Ù. ¾ðÁ¦³ª °°Àº ÀÏ»óÀÌ ¹Ýº¹µÊ¿¡ µû¶ó ¿ì¸®ÀÇ ÁøÂ¥ ÀھƸ¦ ±ú´ÝÁö ¸øÇÏ°Ô µÇ°Å³ª Çٽɿ¡¼­ ¸Ö¾î³­, ¾ÆÁÖ »ç¼ÒÇÑ °Íµé¿¡¼­¸¸ ¿ì¸®ÀÇ ÀھƸ¦ ±ú´Ý°Ô µÇ±âµµ ÇÑ´Ù. ÀÌ ¿òÁ÷ÀÌ´Â µÎ ¸öÀº ¾Æ¹«µ¥µµ ¼ÓÇØÀÖÁö ¾Ê´Ù. ´ÜÁö ±×µé¿¡°Ô ¿­·ÁÀÖ´Â ¸ðµç °¡´É¼ºµéÀ» ¹Ù¶óº¸°í ÀÖÀ» »ÓÀÌ´Ù. ¸¸¾à Çà¿îÀÌ Çã¶ôÇÑ´Ù¸é, ±×µéÀº "È°¿ëÇÒ ¼ö ÀÖ´Â °ø°£"µéÀ» °¡ÀåÀÚ¸®¿¡¼­ âÁ¶ÇÏ°Ô µÉ ¼öµµ ÀÖ´Ù. ¾Æ´Ï¸é ºÒ²É Æ¢´Â ºÐÀïÀ» ÀÏÀ¸Å°´Â °á°ú¸¦ ¾ß±â½Ãų ¼ö µµ ÀÖ´Ù. ¸¶Ä¡ ´«¾Õ¿¡¼­ ¼¶±¤À» ÀÏÀ¸Å°¸ç ºü¸£°Ô ´Þ¸®´Â ÀÚÀü°Å󷳸»ÀÌ´Ù. º£ÀÌ¡Àº °íÇâÀΰ¡ ŸÇâÀΰ¡? ÇѶ§ ±×°÷Àº ¿ì¸®°¡ ²Þ²Ù´Â ·Î¸ÇƽÇÑ µµ½Ã¿´À¸¸ç »îÀÇ ÅÍÀüÀ̱⵵ Çß´Ù. Áï, ±âº»ÀûÀ¸·Î ¿ì¸®´Â µÎ °³ÀÇ ¼­·Î »ó¹ÝµÇ´Â ¼¼°è¿¡ ¼ÓÇØÀÖÁö¸¸ ±× ¼¼°è¿¡ ¼Ò¼ÓµÈ ¿ì¸®´Â ¿©ÀüÈ÷ °¡±õ´Ù.

 

Two familiar bodies wheeling through a familiar city. Capturing normal life or presenting an abnormal ride? Life is often seen as "challenging", but in effect, it is pretty "exhausting". You are mostly recycling happenings, reading recycled news stories and drifting through architectures. Being a recycled being, you do not recognise your real self anymore, or you can only recognise your real self at the marginal area – far from the core. The moving bodies do not belong there, they are simply looking for possible interactions. If luck permits, they might create some "workable space" at the margin, or create a spark or two – just like the fast-moving bicycles that flash in front of your eyes. Beijing – a homeland? a foreign city? It’sat once our romantic metropolis and their living space. We basically belong to two different worlds but still look familiar.

INFOMATION
¾²±â ¸ñ·Ï   ´ä±Û
NO TITLE(K) TITLE(E) DIRECTOR ADDITION
114
µ¥µå¸Ç
The Deadman
Æä±â ¾ÆÈѽÃ/Peggy Ahwesh 1990, 40 min, B/W, sound, 16mm film EAI (on video)
113
Æ®¸¯Çʸ§
Trick Film
Æä±â ¾ÆÈѽÃ/Peggy Ahwesh 1996, 16mm, color, sound, 6 min
112
º° ¸Ô´Â À̵é
The Star Eaters
Æä±â ¾ÆÈѽÃ/Peggy Ahwesh 2003, 24 min, color, sound, video
111
±×³à, ÀÎÇü
She Puppet
Æä±â ¾ÆÈѽÃ/Peggy Ahwesh 2001, 17 min, Video
110
¸¶¸£Æ¼³ªÀÇ Ç÷¹ÀÌ ÇϿ콺
Martinas Playhouse
Æä±â ¾ÆÈѽÃ/Peggy Ahwesh 1989, 20 min, color, sound, Super 8 film
109
¾È³ç, Àß°¡
Good Bye
¿£½¼ ¸· Anson Mak È«Äá | 2006 |8' | Archival footage16mm, Super 8 film and DV | color
108
°á°ú ±×ÀÇ ¸ö¿¡ °üÇÑ ±â¾ï¼Ó¿¡¼­
Aftermath in the memory of his body
´Ù´Ï¿¤ ¿µ,³ë½º Âù,Å©¸®½ºÅäÆÛ ¶ó¿ìDaniel Yeung, Nose Chan and Christopher Lau È«Äá | 2004 |14' | DV | color
107
Åé´Ï¹ÙÄûÀÇ µµ½Ã
Gear City
¸·½Ìdz¡¡Mak Shing Fung È«Äá | 2004 | 5' | color
106
Â÷ ÇÑÀÜ
A Cup of Tea
¹«¾Æ¸®½º ¶óÀÌ, À¯¸® ¿£Áö Maurice Lai and Yuri Ng È«Äá | 2003 | 9'19" | DV | color
105
³­ ¿ì¸® ³ª¶óÀÇ ÇÏ´ÃÀ» »ç¶ûÇØ
I Love my Country¡¯s Sky
Èï°­ Hung Keung È«Äá | 1997 | 7' | U-matic Hi-band | color
¢¸ 11 12 13 14 15 16 17 18 19 20 ¢º

 

 

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