|
TITLE(K) |
ÈçÀûÀ» ³²±â´Ù |
TITLE(E) |
|
DIRECTOR |
À¯Áö¼÷ |
ADDITION |
2005/7'13 |
CATEGORY |
ÀÛ°¡±âȹÀü
»ó¿µ
2009
|
LINK |
|
|
SYNOPSIS |
"įº¸µð¾ÆÀÇ ¾ÓÄÚ¸£¿Ó ±× ¾ÈÀÇ Å¸ÇÁ·Ò »ç¿ø… ±× ¾ÈÀÇ ½Ã°£ÀÇ È帧¿¡ µû¸¥ º¯È¸¦ ±×·Áº¸°í ½Í¾ú´Ù. À̸¥ ¾Æħ ÀÚ¿¬ÀÇ ÈçÀû û¼ÒÇÏ´Â »ç¶÷µé ±×¸®°í ¸î ½Ê ³â°£ ¹«º¸¼ö·Î û¼ÒÇÏ´Â ÇҾƹöÁö… ±×¸®°í ÀÚ½ÅÀ» ³²±â±â À§ÇÏ¿© »çÁøÀ» Âï´Â »ç¶÷µé… ¿À¹ö·¦À» ÀÌ¿ëÇØ ÀÌ·± ¸ð½ÀÀ» ±×·Áº¸¾Ò´Ù."
¾ÓÄÚ¸£¿ÍÆ®ÀÇ Æòȷοî Á¤°æÀ» ÇÑ ÆøÀÇ »çÁøó·³ ´ã¾Æ³½ ¼öÃ¤È °°Àº ÀÛÇ°. ÀÌÁß³ëÃâµÇ´Â À̹ÌÁöµéÀÌ ½Ã°£ÀÇ ÃßÀÌ¿Í ÈçÀûÀ» ´õµë´Â´Ù. (ÀÌ°¿Á) "Angkor Wat in Cambodia, temple ‘Taprom’ is there… I want to describe the change with the flow of time. A trace of nature in the early morning, cleaning people, and an old man who has worked for several decades without pay… And people who photograph themselves to leave their traces behind… I picture that scene with a dissolve."
A film like a watercolor painting as if we take pictures of peaceful Angkor Wat. The images of double exposure feel after the traces of time.
|
|
INFOMATION |
|
|
|
|
|
NO |
TITLE(K) |
TITLE(E) |
DIRECTOR |
ADDITION |
144 |
ÀÌ·± ½Î°¡Áö ¾ø´Â³ðÀÌ ÇÏ´Â ¼Ò¸®
|
What this naughty boy has say
|
Á¤ÁÖ¾Æ
|
7min50sec¦¢2007¦¢Digi-beta¦¢¾Ö´Ï¸ÞÀ̼Ç
|
|
143 |
Çã¶ôÇØÁÖ¼¼¿ä
|
Please Permit
|
±è´Ù¿î
|
2005 | 6min30sec | DV | mixed | ±Ø¿µÈ
|
|
142 |
È£Èí
|
Respiration
|
ÀÌÇѾÆ
|
3min 30sec | 2006 | DV | color | ¾Ö´Ï¸ÞÀ̼Ç
|
|
141 |
³Ê
|
YOU
|
Á¤ÀÚ¿µ
|
2006³â 3 min color
|
|
140 |
¿ìÁî ³ë ¸¶ÀÌ ³×ÀÓ
|
Woods no my name
|
°¿ø
|
16ºÐ 52ÃÊ | 2008 | 6mm DV | ½ÇÇè±Ø¿µÈ
|
|
139 |
º®È ¾Ö´Ï¸ÞÀÌ¼Ç ÇÁ·ÎÁ§Æ® #1, 2 (since 2005)
|
|
½ÅÇöÁ¤
|
color, 2D ¾Ö´Ï¸ÞÀ̼Ç
|
|
138 |
The Fish
|
The Fish
|
¹Ú°æ¹Ì Park Kyung-mi
|
3ºÐ 20ÃÊ, 2006, DV, color, ¾Ö´Ï¸ÞÀ̼Ç
|
|
137 |
ÀáÀçÀû ½½ÇÄ
|
Latent Sorrow
|
±è½ÃÇå Shon Kim
|
3ºÐ 30ÃÊ, 2006, 16mm, color, ½ÇÇè¾Ö´Ï¸ÞÀ̼Ç
|
|
136 |
Â÷ÀÌ¿Í ¹Ýº¹1- ½ºÄ§°ú ¸¶ÁÖħ
|
Difference and Repetition1 - Glance and Focus
|
±è¿¬Á¤ YeonJeong Kim
|
5ºÐ 30ÃÊ, 2007, DV, B&W, ½ÇÇ迵»ó
|
|
135 |
¹«ºù Æijë¶ó¸¶
|
Moving Panorama
|
º¯Àç±Ô Byun Jae-kyu
|
4ºÐ 11ÃÊ, 2005, DVD, color, ½ÇÇ迵»ó
|
|
|
|
|