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TITLE(K) |
Â÷ÀÌ¿Í ¹Ýº¹1- ½ºÄ§°ú ¸¶ÁÖħ |
TITLE(E) |
Difference and Repetition1 - Glance and Focus |
DIRECTOR |
±è¿¬Á¤ YeonJeong Kim |
ADDITION |
5ºÐ 30ÃÊ, 2007, DV, B&W, ½ÇÇ迵»ó |
CATEGORY |
ÀÛ°¡±âȹÀü
»ó¿µ
2009
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LINK |
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SYNOPSIS |
ÃÊ»ó»çÁøÀÇ Çü½Ä ¼Ó¿¡¼ ±Ø´ÜÀû Ŭ·ÎÁî¾÷À¸·Î Æ÷ÂøµÈ Àι°µéÀÇ Ç¥Á¤°ú µµ½Ã ´ÙÅ¥¸àŸ¸®ÀÇ ¸Æ¶ô ¼Ó¿¡ ÀÖ´Â ±ØºÎ°¨ÀÇ Ç³°æÀÌ Ãæµ¹ÇÏ´Â ÀÌ ÀÛÇ°Àº, µµ½Ã/¹è°æ°ú Àι°/Àü°æÀÇ ÀüÄ¡µÈ °¨°¢À» ÅëÇØ ¿©ÇàÀÇ ±â·ÏÀ» ½ºÃÄ°¡´Â ¿©Á¤ ¼Ó¿¡¼ ÁÖüÀÇ ºÎÀ¯ÇÔÀÌ Ç³°æÀÇ º»·¡ÀûÀÎ ¿Ï°íÇÔ°ú Âû³ªÀûÀ¸·Î ¸¶ÁÖħÀ¸·Î½á °á±¹ ÇϳªÀÇ ´Ù¸¥ dz°æÀÌ µÇ¾î »ç¶óÁ®°¡´Â ¹Ýº¹À» ´Ù·ç°í ÀÖ´Ù.
In the form of portrait, "Glance and Focus" makes the collision between the full shots in the context of city documentation and the big close-ups capturing people` s faces.
It is also making the transposed sense between city/background and portrait/foreground so that the emerging and simultaneously vanishing repetitions form
the temporary moment of facing with the encounter of the floating subject in the city and the nature stubborn of background.
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INFOMATION |
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NO |
TITLE(K) |
TITLE(E) |
DIRECTOR |
ADDITION |
144 |
ÀÌ·± ½Î°¡Áö ¾ø´Â³ðÀÌ ÇÏ´Â ¼Ò¸®
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What this naughty boy has say
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Á¤ÁÖ¾Æ
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7min50sec¦¢2007¦¢Digi-beta¦¢¾Ö´Ï¸ÞÀ̼Ç
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143 |
Çã¶ôÇØÁÖ¼¼¿ä
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Please Permit
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±è´Ù¿î
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2005 | 6min30sec | DV | mixed | ±Ø¿µÈ
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142 |
È£Èí
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Respiration
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ÀÌÇѾÆ
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3min 30sec | 2006 | DV | color | ¾Ö´Ï¸ÞÀ̼Ç
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141 |
³Ê
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YOU
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Á¤ÀÚ¿µ
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2006³â 3 min color
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140 |
¿ìÁî ³ë ¸¶ÀÌ ³×ÀÓ
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Woods no my name
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°¿ø
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16ºÐ 52ÃÊ | 2008 | 6mm DV | ½ÇÇè±Ø¿µÈ
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139 |
º®È ¾Ö´Ï¸ÞÀÌ¼Ç ÇÁ·ÎÁ§Æ® #1, 2 (since 2005)
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½ÅÇöÁ¤
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color, 2D ¾Ö´Ï¸ÞÀ̼Ç
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138 |
The Fish
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The Fish
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¹Ú°æ¹Ì Park Kyung-mi
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3ºÐ 20ÃÊ, 2006, DV, color, ¾Ö´Ï¸ÞÀ̼Ç
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137 |
ÀáÀçÀû ½½ÇÄ
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Latent Sorrow
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±è½ÃÇå Shon Kim
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3ºÐ 30ÃÊ, 2006, 16mm, color, ½ÇÇè¾Ö´Ï¸ÞÀ̼Ç
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136 |
Â÷ÀÌ¿Í ¹Ýº¹1- ½ºÄ§°ú ¸¶ÁÖħ
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Difference and Repetition1 - Glance and Focus
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±è¿¬Á¤ YeonJeong Kim
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5ºÐ 30ÃÊ, 2007, DV, B&W, ½ÇÇ迵»ó
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135 |
¹«ºù Æijë¶ó¸¶
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Moving Panorama
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4ºÐ 11ÃÊ, 2005, DVD, color, ½ÇÇ迵»ó
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