ÃÊ»ó»çÁøÀÇ Çü½Ä ¼Ó¿¡¼ ±Ø´ÜÀû Ŭ·ÎÁî¾÷À¸·Î Æ÷ÂøµÈ Àι°µéÀÇ Ç¥Á¤°ú µµ½Ã ´ÙÅ¥¸àŸ¸®ÀÇ ¸Æ¶ô ¼Ó¿¡ ÀÖ´Â ±ØºÎ°¨ÀÇ Ç³°æÀÌ Ãæµ¹ÇÏ´Â ÀÌ ÀÛÇ°Àº, µµ½Ã/¹è°æ°ú Àι°/Àü°æÀÇ ÀüÄ¡µÈ °¨°¢À» ÅëÇØ ¿©ÇàÀÇ ±â·ÏÀ» ½ºÃÄ°¡´Â ¿©Á¤ ¼Ó¿¡¼ ÁÖüÀÇ ºÎÀ¯ÇÔÀÌ Ç³°æÀÇ º»·¡ÀûÀÎ ¿Ï°íÇÔ°ú Âû³ªÀûÀ¸·Î ¸¶ÁÖħÀ¸·Î½á °á±¹ ÇϳªÀÇ ´Ù¸¥ dz°æÀÌ µÇ¾î »ç¶óÁ®°¡´Â ¹Ýº¹À» ´Ù·ç°í ÀÖ´Ù.
In the form of portrait, "Glance and Focus" makes the collision between the full shots in the context of city documentation and the big close-ups capturing people` s faces.
It is also making the transposed sense between city/background and portrait/foreground so that the emerging and simultaneously vanishing repetitions form
the temporary moment of facing with the encounter of the floating subject in the city and the nature stubborn of background.