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µ¿ÀûÀ̸鼵µ ¸í»óÀûÀÎ ÀÌ ÀÛÇ°Àº 3°¡ÁöÀÇ Á¦ÀÇÀû ÈÆ·ÃÀÇ ¿¬´ë±â¸¦ º¸¿©ÁØ´Ù. ¿ìÅÁ, »þ¿À¸° ±×¸®°í °ËÀ¸·Î ÇÏ´Â »þ¿À¸°, ÀÌ ¼¼ °¡ÁöÀÇ ÀýÁ¦µÈ °ø°Ý¼úÀº ¿ì¸®¸¦ Æò¿Â¿¡¼ ¸Í·ÄÇÔ±îÁö Ç¥ÇöÇÏ´Â ¹«ÇÑÇÑ °¡´É¼ºÀ» Áö´Ñ ¸öÀÇ ¼¼°è·Î ÃÊ´ëÇÏ¸ç ¼÷¿¬ÇÔ¸¶Àú ´À³¢°Ô ÇÑ´Ù. - His lyrical film chronicles the ritualistic training exercises of three increasingly aggressive styles of Chinese boxing—Wu-Tang, Shao-lin, and Shao-lin with a sword. To emphasize the gradual shift from tranquility to violence.
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His lyrical film chronicles the ritualistic training exercises of three increasingly aggressive styles of Chinese boxing—Wu-Tang, Shao-lin, and Shao-lin with a sword. To emphasize the gradual shift from tranquility to violence.
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