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ioioio ´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀÌ°ø iÍö(Íì)ioio

 

 

 

  
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  i-Íö(Íì), Media Theater

 
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  Seoul International NewMedia Festival

  Æä¹Ì´ÏÁòºñµð¿À¾×Ƽºñ½ºÆ®ºñ¿£³¯·¹2010
  Feminism Video Acitivism Biennale2010

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TITLE(K) ÈçÀûÀ» ³²±â´Ù
TITLE(E)
DIRECTOR À¯Áö¼÷
ADDITION 2005/7'13
CATEGORY ÀÛ°¡±âȹÀü »ó¿µ 2009
LINK
SYNOPSIS

"įº¸µð¾ÆÀÇ ¾ÓÄÚ¸£¿Ó ±× ¾ÈÀÇ Å¸ÇÁ·Ò »ç¿ø…
±× ¾ÈÀÇ ½Ã°£ÀÇ È帧¿¡ µû¸¥ º¯È­¸¦ ±×·Áº¸°í ½Í¾ú´Ù.
À̸¥ ¾Æħ ÀÚ¿¬ÀÇ ÈçÀû
û¼ÒÇÏ´Â »ç¶÷µé
±×¸®°í ¸î ½Ê ³â°£ ¹«º¸¼ö·Î û¼ÒÇÏ´Â ÇҾƹöÁö…
±×¸®°í ÀÚ½ÅÀ» ³²±â±â À§ÇÏ¿© »çÁøÀ» Âï´Â »ç¶÷µé…
¿À¹ö·¦À» ÀÌ¿ëÇØ ÀÌ·± ¸ð½ÀÀ» ±×·Áº¸¾Ò´Ù."

 

¾ÓÄÚ¸£¿ÍÆ®ÀÇ ÆòÈ­·Î¿î Á¤°æÀ» ÇÑ ÆøÀÇ »çÁøó·³ ´ã¾Æ³½ ¼öäȭ °°Àº ÀÛÇ°. ÀÌÁß³ëÃâµÇ´Â À̹ÌÁöµéÀÌ ½Ã°£ÀÇ ÃßÀÌ¿Í ÈçÀûÀ» ´õµë´Â´Ù. (ÀÌ°­¿Á)
"Angkor Wat in Cambodia, temple ‘Taprom’ is there…
I want to describe the change with the flow of time.
A trace of nature in the early morning, cleaning people, and an old man who has worked for several decades without pay…
And people who photograph themselves to leave their traces behind…
I picture that scene with a dissolve."

 

A film like a watercolor painting as if we take pictures of peaceful Angkor Wat. The images of double exposure feel after the traces of time.

INFOMATION
¾²±â ¸ñ·Ï   ´ä±Û
NO TITLE(K) TITLE(E) DIRECTOR ADDITION
34
»ç¸·ÀÇ ¸ö
Bodies of the Desert, digital video
Æ®¸° T ¹ÎÇÏ 2005 l 20min l color
33
»ç¸·Àº º¸°í ÀÖ´Ù
The Desert is Watching, installation video
Æ®¸° T ¹ÎÇÏ 2003 ¤Ó 11min l color
32
¹ãÀÇ ¿©·Î
Night Passage
Æ®¸° T ¹ÎÇÏ 2004 ¤Ó 98min l color
31
4Â÷¿ø
The Fourth Dimension,
Æ®¸° T ¹ÎÇÏ 2001 ¤Ó 87min l color
30
»ç¶ûÀÇ µ¿È­
A Tale of Love
Æ®¸° T ¹ÎÇÏ 1995 ¤Ó 102min l color
29
±×³à À̸§Àº º£Æ®³²
Surname Viet, Given Name Nam
Æ®¸° T ¹ÎÇÏ 1989 ¤Ó 108min l color
28
¹ú°Å¹þÀº °ø°£ : Áö¼ÓµÇ´Â »î
Naked spaces : Living Is Round
Æ®¸° T ¹ÎÇÏ 1985 ¤Ó 135min ¤Ó color
27
ÀçÁýÇÕ
Reassemblage
Æ®¸° T ¹ÎÇÏ 1982 ¤Ó 40min l color
26
º®È­¾Ö´Ï¸ÞÀÌ¼Ç ÇÁ·ÎÁ§Æ®
Mural animation project
½ÅÇöÁ¤ #1 2006 | 1ºÐ #2 2008 | 3ºÐ35ÃÊ
25
¼±ÅÃµÈ Çϸð´Ï
The Selected Harmony
½ÅÇöÁ¤ 2007 | 3ºÐ | color
¢¸ 21 22 23 24 25 26 27

 

 

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