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The mural animation project began naturally, combining techniques of drawing, photography, and animation, in order to praise and experiment the beauty of rustic or about-to-tear-down walls behind the face of the city where development is rampant. Images drawn by charcoal appear as though flowing after patterns of the walls that are previously made, without incorporation particular meaning but merely improvised at the tip of my fingers. The images are transformed to an audiovisual reaction to the sound-narrative collected from places where drawings have been created. The air of loneliness, images recalled, sounds heard, faces of strangers that have come across from frequent small trips are mingled together.