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´º¹Ìµð¾î ¿ìÁÖ À¯¿µÀü ÀÛ°¡¿ÍÀÇ ´ëȸ¦ 8¿ù 22ÀÏ ¼ö¿äÀÏ ¿ÀÈÄ4½Ã ¹Ìµð¾î±ØÀå ¾ÆÀÌ°ø¿¡¼ ÁøÇàÇÕ´Ï´Ù.
À̹ø ÀÛ°¡¿ÍÀÇ ´ëÈ ½Ã°£À» ÅëÇØ ÀÛ°¡¿Í °ü°´ÀÌ ¸¸³ª°í, ¼ÒÅëÇÏ´Â ½Ã°£À» °®°íÀÚ ÇÕ´Ï´Ù.
±×¸®°í ³×¸¶ÇÁ Âü¿©ÀÛ°¡µéÀ» ÃÊûÇÏ¿© ´º¹Ìµð¾î ¿¹¼ú ÀÛ°¡µéÀÇ ¼Ò°³¿Í ±³·ù, È°µ¿ÀÇ ´Ù¾ç¼ºÀ» ¸ð»öÇÏ°íÀÚ ÇÏ¿À´Ï ¸¹Àº °ü½É°ú Âü¿© ¹Ù¶ø´Ï´Ù.
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1. ±â°£ : 8¿ù22ÀÏ(¼ö) ¿ÀÈÄ 4½Ã
2. Àå¼Ò : ¹Ìµð¾î±ØÀå ¾ÆÀÌ°ø
3. Àü½ÃÂü¿©ÀÛ°¡ : Á¤ÀÚ¿µ, ±è¼¼Èñ, ÀÌ¿µ¼®, ½Å¹Ì¸®, ½ÅÇöÁ¤, À̼¼¿Á, ¹ÚÀçÇö, ±èÇöÁÖ, ±èö¹Î, ±è¹Ì°æ
4. ÀÏÁ¤
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4:40~5:20 ÀÛ°¡¿ÍÀÇ ´ëÈ
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ÀÛÇ°¸®½ºÆ®
³Ê dear
Á¤ÀÚ¿µ Chung Ja-young
2006 / 3min / DV / color / ½ÇÇ迵»ó
ºû°ú ³Ê. ±×¸®°í ³Ê°¡ ¾Æ´Ñ, ¹«¾ð°¡¿¡ ´ëÇÑ ±×¸®¿ò. °¡À» ¿ÀÈÄ ¡°ÇØ°¡ Á» ´õ ³·¾ÆÁö°í û¸íÇÑ ÇÏ´ÃÀÌ Á» ´õ ³ô¾ÆÁö°í ±×¸²ÀÚ°¡ Á» ´õ ±æ¾îÁø´Ù"
³Ê.
Light and dear. Yearning of something else, not of dear. Afternoon in autumn "The sun is getting lower, The sky is getting higher, The shadow is getting longer" dear.
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¹Ìµð¾×Æ® µ¶¸³±Ø¿µÈÁ¦ÀÛ 10±â
moment
±è¼¼Èñ Kim Se-hee
2006 / 3min 25sec / DV / color / ½ÇÇ迵»ó
¼¼Æ÷ÀÇ ÈûÂù °íµ¿¼Ò¸®. ÀÛÀº ¼¼Æ÷°¡ ºÐÈÇϱ⠽ÃÀÛÇÑ´Ù. °ð »ý¸íÀ¸·Î¼ÀÇ »îÀ» ½ÃÀÛÇÏ°í ´Ù¸¥ ¼¼Æ÷µé°ú °ü°è¸¦ ¸ÎÀ¸¸ç Á¶È¸¦ ÀÌ·é´Ù. ´Ü ÇÑ ¼ø°£µµ ¸ØÃßÁö ¾Ê´Â »ý¸íÀÇ ÃãÀ» Ãá´Ù. ÀÛÀº »ý¸íüÀÎ ¼¼Æ÷°¡ Áö´Ñ ¿ìÁÖ ¾È¿¡¼ ¼ø°£ÀÇ ¾Æ¸§´Ù¿ò°ú °¡Ä¡¸¦ Ç¥ÇöÇÏ°íÀÚ ÇÏ¿´´Ù.
The strong beat of the Cell. It starts cell division. Soon, it begins living as a life, making a harmonious relationthip with the other cells. They never stop dancing of life.
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2006 ¼¿ï±¹Á¦½ÇÇ迵ÈÁ¦ ±¹Á¦°æÀïºÎºÐ º»¼±
²Þµµ±úºñ Dream Tapir
ÀÌ¿µ¼® Lee Young-seok
2006 / 10min / beta /color/ ¾Ö´Ï¸ÞÀ̼Ç
¹æ¿¡¼ Ȧ·Î Àá¿¡¼ ±ú¾î³ ¾ÆÀÌ´Â ÀÚ½ÅÀ» µÑ·¯½Ñ ¸ðµç °ÍÀÌ ¹«¼·±â¸¸ ÇÏ´Ù. ¾ÆÀÌ´Â ²Þ¼Ó¿¡¼µµ µÎ·Á¿öÇÏ´Â ´ë»óÀ» ¸¶ÁÖÄ¡°í ¾Ç¸ùÀ» ¾ø¾ÖÁÖ´Â ½ÅºñÇÑ µ¿¹°À» ¸¸³ª¸é¼ °øÆ÷¸¦ ¼¼È÷ ±Øº¹ÇÑ´Ù. µ¿ÈÀÇ ±¸Á¶¸¦ ¹ÙÅÁÀ¸·Î ¹ãÀÇ È¯»óÀûÀÎ ¿©Á¤À» ±×¸° ÀÛÇ°.
A boy wakes up alone and suddenly his surroundings close to him and seize him with fear. Such images appear in his nightmares and torment him.
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2006 [²Þµµ±úºñ]¿¬Ãâ. µ¿¾ÆLG ±¹Á¦¸¸È°ø¸ðÀü ½É»çÀ§¿øƯº°»ó
Á¦11ȸ È÷·Î½Ã¸¶±¹Á¦¾Ö´Ï¸ÞÀ̼ǿµÈÁ¦
Stars of Students/¾Æµ¿¿µÈºÎ¹®¿Ü ´Ù¼ö ¿µÈÁ¦ »ó¿µ
½×±â The Blocks
½Å¹Ì¸® Shin Mi-ri
2005 / 2min 24sec / DV / color / ½ÇÇ迵»ó
°íÁ¤µÈ Æ÷Áî·Î Â÷°îÂ÷°î ½×¾Æ¿Ã·ÁÁö´Â »ç¶÷µé. ¿¹±âÄ¡ ¾Ê´Â ´ë»ó¿¡ ºÒ°¡Ç×·ÂÀûÀÎ ±ÔÄ¢ÀÌ Àû¿ëµÇ¸é¼ °Þ°Ô µÇ´Â °æÇèÀ» ³ªÅ¸³½ ÀÛÇ°.
It suggests irritate and distress in a synthetic medium, represents restricted and rigid rule of the game. But through following this visible expression, the case of mixed realities comes as captivating awareness¡¦an irresistible force.
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2006 ±×·ìÀü ¡°EVENT" , °¶·¯¸® ȯ, ¼¿ï
RESFEST|10 Global Tour ¡°by Design"
DOTMOV Festival, JAPAN ÀÛÇ°»ó¿µ
²ÉÀÌ ¸¸¹ß, ¾Æ°¡¾ß ¿ïÁö¸¶ Don't cry baby, flowers every where
½ÅÇöÁ¤ Fay Shin / 2006
2min 40sec / DVD / color / ½ÇÇ迵»ó
Çѱ¹ÀÇ ¡®¾ÆÁܸ¶¡¯µéÀÌ Áñ°Ü ÀÔ´Â È·ÁÇÑ ÆÐÅÏÀÇ ÀÇ»ó. ³²Æí°ú ÀÚ½ÄÀ» À§ÇØ ÀÚ½ÅÀ» Èñ»ýÇÏ°í ¿À»ö ºûÀÇ °Ñ¿Ê¸¸ÀÌ ±×µéÀÇ ¿å±¸·Î ³²¾ÆÀÖ´Ù. ÇÔ²² ¾î¿ì·¯Áø ¾Æ±âÀÇ »ç¿îµå´Â ±×³àµéÀ» ¾ïô½º·´°í »ýÈ°·Â °ÇÑ ¡®¾ÆÁܸ¶¡¯·Î ¸¸µç ¿øõÀ̱⿡ ±×Àú »ç¶û½º·´Áö¸¸Àº ¾Ê´Ù.
No one could surpass their passion and praise for flowers. Never completely blossomed, their lives were entirely dedicated to their husbands and children.
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ºñÁÖ¾ó¾ÆÆ® ÇÁ¸®·£¼·Î ÀÛÇ°È°µ¿.Le Cube(France), Detroit Museum of New Art, ½ºÆäÀ̽º ¼¿, ¼¿ï±¹Á¦½ÇÇ迵ÈÆ佺Ƽ¹ú, ´º¹Ìµð¾î Æ佺Ƽ¹ú µî ´Ù¼öÀÇ ¿µÈÁ¦¿Í Àü½Ã°ø°£¿¡¼ ÀÛÇ°»ó¿µ
P..armacon
À̼¼¿Á Lee, Say-oak
2006 / 6min 48sec / DV / color / ºñµð¿À¾ÆÆ®
±ÛÀÚµéÀÌ °£Áö·´°í, ±ÛÀÚµé »çÀÌ°¡ °£Áö·´°í, ¿Â ¸öÀÌ °£Áö·´´Ù. º´ÀÌ¸é¼ Ä¡·áÁ¦ÀÌ°í, µ¶ÀÌ¸é¼ ¾àÀÎ Æĸ£¸¶ÄÜparmacon. ±×¸®°í Çص¶úªÔ¸, Çص¶ú°Ô¸, Çص¶ú°ÔÁ.Àº ¾ÕÀ¸·Î Á¦ÀÛÇÒ <Çص¶¿ä¹ý, Rites of Parmacon> ¿¬ÀÛµé Áß Ã¹ ¹ø° ¿µÈÀÌ´Ù.
Letters tickles. The tiny space between the letters also feels ticklish. It tickles a little.
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2006 [parmacon] ¿¬Ãâ
[¹Ì¾ÆÚ±ä®, ¹Ì¾ÆÚ»ä®] ¿¬Ãâ
[Then it will be the night, and I can go.] ¿¬Ãâ
±¤ÁÖºñ¿£³¯·¹ ¿¸°ºñ¿£³¯·¹ ¿µ»ó¼³Ä¡ <±êµç>
»çºê¸®³ª¸¦ À§ÇØ FOR¡¡SAVRINA / The RomanTic Space project
¹ÚÀçÇö Park Jay-hyun
2005 / 6min / DVD / color / ½ÇÇ迵»ó
½Ã°£¿¡¼ Èð¾îÁø ÀÜ»ó. ºÐÇÒȸéÀÇ ³²°ú ¿©-¾Æ³¯·Î±×¿Í µðÁöÅÐÀÇ ÆÛÁñ³îÀÌ. ³²¼ºÀÇ ¾ð¾î´Â ¾Æ³¯·Î±× ±âÈ£·Î Àç»ýµÇ¸ç, »çºê¸®³ªÀÇ ¾ð¾î´Â µðÁöÅÐÀÇ ½ÅÈ£·Î Àç»ýµÈ´Ù. À̵éÀÇ »ç¶û À̾߱â´Â Áï ¾ð¾î, ¼Ò¸®ÀÇ ½ÅÈ£·ÎºÎÅÍ À̾߱â¿Í À̹ÌÁöÀÇ »ý¼ºÀÌ ½ÃÀ۵ȴÙ.
The man is expressed with analogous signs, Savrina with digital ones. The man's theatrical images vanish, and collide with Savrina's digital signs, while random shapes of the signs create another space, in which the signs lead out another story.
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"FOR SAVRINA" MOVING IMAGE/CAVE 58 Grand Street, Brooklyn, NY 11211
"FOR SAVRINA" Emerging Korean Video/Location:Maxim Lounge 43West 32nd Street,NewYork,NY
°ÇÃà±âȹÀü - ´À½¼ÇÑ ±³Â÷ CRISS-CROSS : Archi+tists=For(m)oment
Aus
±èÇöÁÖ Kim Hyun-joo
2004 / 2min 55sec / DV / B&W / ½ÇÇ迵»ó
ÀÎÁö¿Í Áö°¢ÀÇ Àå¼ÒÀÎ ¾ó±¼Àº ¹þÀ» ¼öµµ °¡¸± ¼öµµ ¾ø´Â ³ª, Áï ÀÚ¾ÆÀÇ ½Çü°¡ ¿©½ÇÈ÷ µå·¯³ª´Â Àå¼ÒÀÌ´Ù. °¢°¢ÀÇ µ¿ÀÛÀ» µðÁöÅÐÄ«¸Þ¶ó·Î ÃÔ¿µÇÏ¿© ¸¸µç ¿µ»óÀÛ¾÷ AUS¿¡¼ ³ª´Â ¿ÀÈ÷·Á °¡¸éÀ» ¾´ ä ¾ó±¼À» °¡¸®°í È¸é ¹Û Å¸ÀÎÀ» ÀÀ½ÃÇÑ´Ù. °ð °¡¸é ¹þ±â (Á¸Àç µå·¯³»±â)¿¡ ¸ôµÎ ÇÏÁö¸¸ ¶Ç ´Ù¸¥ °¡¸é Áï, °¡Â¥¸¸ ÀÖÀ» »Ó, °¡¸é ¾È ¼Ó ½Çü´Â µå·¯³ªÁö ¾Ê´Â´Ù.
A face is a place of recognition and perception which appears the substance of oneself who can¡¯t take off or cover. In AUS which made by photographing each movement with a digital camera, I¡¯m staring at someone with covering my face even though I am wearing a mask. I concentrate on taking off a mask(appearing oneself) but the substance doesn¡¯t appear. There¡¯s only another mask which is a fake.
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2006 "2006Funny Sculpture! Funny Painting!5" °¶·¯¸® ¼¼ÁÙ, ¼¿ï<±×·ìÀü>
Move on Asia " Clash and Network " ´ë¾È°ø°£ ·çÇÁ, ¼¿ï
" NEOFEST" ÀϺ»
ÇÕÁÖ Play
±èö¹Î Kim Chul-min
2006 / 2min 55sec / DV / color / ½ÇÇ迵»ó
À½¾ÇÀÌ ½ÃÀÛµÇ¸é¼ ¼¼ ¾ó±¼ÀÌ ³ªÅ¸³´Ù. ¸¶Ä¡ ¾Ç±â¸¦ ¿¬ÁÖÇϵíÀÌ ¾ó±¼ÀÇ Ç¥Á¤µéÀÌ º¯ÈÇÏ°í ÀÌ Ç¥Á¤Àº À½¾ÇÀÇ Á¤¼¸¦ ÀÚÀ¯·Ó°Ô Ç¥ÇöÇÑ´Ù.
When music starts, three faces come up. The face of expressions become changed with music. It looks like a music performance. Each face of expressions are performing three different musical instruments.
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¼ö¿ø´ëÇб³ ¼¾çÈ°ú ÀçÇÐ Áß
Circle of life
±è¹Ì°æ Kim Mee-kyoung
2006 / DVD / 5min / color / ¼³Ä¡¿µ»ó
ÀÚ¿¬Àû À¯±âü¿Í Àΰ£ÀÇ °áÇÕ. Àçź»ýÇÏ´Â µ¿¾çÀû ¿ø¸®¸¦ ¿ªµ¿ÀûÀÎ À̹ÌÁö·Î ±×·Á³½ Ãß»ó ¾Ö´Ï¸ÞÀ̼Ç. À̸¦ ÅëÇØ °ü°´°ú ÀÛÇ°À» ÅëÇÑ ±³·ù¿Í ÀÏ·çÁ¯À» À§ÇØ ¸ùȯÀû ¸ôÀÔÀ» ±Ø´ëÈ ÇÏ°íÀÚ Çß´Ù.
The illusion produced creature of non-presentation. Amalgamation of The natural enemy organic body and the human being. This is the abstraction animation that expresses the oriental principal, using an easy movement form.
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1999 ½Å¹Ì¼ú´ëÀü
2000 ¼¿ï ´º¸Þ¸®Æ®Àü
<¼½¼Ç2> È«Äá ¹Ìµð¾î¾ÆÆ® (ÃÑ5Æí, 35min)
Á×À½ÀÇ °ÔÀÓ2(Game of Death2)
ÃÖ ¿þÀÌÇë(Choi Wai-hung) / 2004 / 3:08
È«ÄáÀº ÀÛÀº °÷ÀÌ´Ù. ¸¹Àº °Íµé·Î °¡µæ Â÷ ÀÖ´Â °÷. µµ·Î À§ÀÇ ´Þ¸®´Â Â÷µé. º¸µµ¸¦ °È´Â
¹Ù»Û »ç¶÷µé. ±×¸®°í ÀØÇôÁø ¿À·¡µÈ °Ç¹°µé. ⠰dzÊÀÇ µµ½Ã ¾È¿¡ ¼û°ÜÁø °Íµé. °©ÀÚ±â
µé¸®´Â ½Î¿ì´Â ¼Ò¸®. Á¶¿ëÇÑ ¿ÀÈĸ¦ ±ú¿î´Ù. ÅÁ¶óÀÌÀÇ ³°Àº ºôµù¿¡¼ ½Åºñ·Î¿î ÄôǪ¸¦ º»´Ù.
ÀÌ ÀÛÇ°Àº ´Ù¾çÇÑ °¢µµ¿¡¼ ÄôǪ ¿µÈ¸¦ °¨»óÇÒ ¼ö ÀÖµµ·Ï Á¦À۵Ǿú´Ù.
Hong Kong is small place. A place fills up a lot of things. Running cars in the road. Busy peopled on the pavement. And a forgotten old Building. Hidden in the city of glass pane. Sudden sound of fighting. Breaking a quiet afternoon. showing a mystical Kung-fu. In Tanglai, an old Building.
±×³à¿¡°Ô ³» ¸Ó¸®¸¦(IdoLetherMyHeadHave)
¸®Å¸ÈÄÀÌ(Rita Hui) / 2004 / 17:3
2001³âºÎÅÍ 3³â°£ ÀÛ°¡ÀÇ ¿©Á¤À» ´ãÀº ÀÌ ÀÛÇ°Àº ÇÁ¶û½º¿Í ŸÀÌ¿Ï, º£ÀÌ¡, È«Äá¿¡¼ÀÇ ÂªÀº ¿©ÇàÀ» ±â·ÏÇÑ °ÍÀÌ´Ù. ¿©Çà±â°£µ¿¾È ÀÛ°¡´Â Â¥¿ÀÇ×À̶ó´Â ÇÑ ¼Ò³à¿¡ ´ëÇÑ À̾߱⸦ ÀûÀ¸¸é¼ ¿©Çà±â°£³»¿¡ ÇÔ²² ´Ù´Ñ´Ù. ¸¶Áö¸·¿¡ ±×³à´Â »õ·Î¿î ¿¬Àΰú ÇÔ²² ´Þ¾Æ³ª¹ö¸®°í, ÀÛ°¡°¡ Áý¿¡ µ¹¾Æ¿ÔÀ»¶§´Â »ó½Ç°¨À» ¾ò°ÔµÈ´Ù. ÀÌ°ÍÀº ¸¶Ä¡ Ç㱸Àû ij¸¯ÅÍ ¾Ù¸®½º¿Í ÇÔ²² °ÔÀÓÀ» ÇÏ´Â µíÇÏ´Ù. ½ÇÁ¦·Î ÀÛ°¡´Â ¿©ÇàÀ» ¶°³ÀûÀÌ ¾ø¾úÀ¸¸ç, Áý¿¡¼ ÀÛ°¡ÀÇ ±â¾ï¼Ó¿¡ »ç·ÎÀâÇô ÀÖ¾úÀ» »ÓÀ̾ú´Ù.
This is a video about my journey, which lasted from 2001 to 2004. It recorded a few trips in France, Taiwan, Beijing and Hong Kong. During those trips, I wrote a story about a girl named Xiaohan...It's like a game, playing with my fictional charaters Alice, Xiaohan, and I had never actually taken any trip. I was lost at home, in my identity and my memory.
¿Èê ¹ã ¸®Çã¼³ ³ëÆ®(10Night Rehearsal Notes)
¿Ë¿ë¶ô(Ong Yong Lock) / 2003 / 4:14
Ä£¼÷ÇÑ ±â¾ïÀÇ ´ÜÆíÀÌ ¹ö·ÁÁø Ä·ÆÛ½º¿¡¼ ¹ß°ßµÇ´Âµ¥, ÀÌ°÷¿¡¼ Èçµé¸®´Â ¼Ò³àÀÇ ¸öÀº Å»ÃâÀ» À§ÇØ ºü¸£°Ô ¿òÁ÷ÀδÙ. ±×³à°¡ µµ¸Á°¡±â Àü¿¡, Ÿ¿À¸£´Â ºÒ²ÉÀº ¹ßÈÇÏ°í ¸ðµç °ÍÀ» Àç·Î Å¿ö¹ö¸°´Ù.
A fragment of familiar memories is found, misplaced in abandoned campus, where a shaken body recklessly flees to escape. Before she can run away, a blazing fire ignites and burns everything into ashes.
..¸¦ ³Ñ¾î(Beyond)
Ä®¸² æ(Kalim Chan ) / 2005 / 3:14
ÈξÀ ³ôÀÌ(This way up)
Ä®¸² æ(Kalim Chan) / 2005 / 5:56
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